foolscapper:

foolscapper:

foolscapper:

……………………………………………………………..

what the fuck.

no but how did tweedles already make this skeevy!!!!

I’M SORRY I’M STILL TRYING TO PROCESS 

WHY IS DEAN WORRIED ABOUT ‘SMALL TALK NORMAL’ WITH MOM WHILE SAM IS MISSING????? WHY ARE THEY BACK AT THE BUNKER CHILLIN IN A ROBE WHERE IS THE RESCUE STUFF WHY WAS SAM IN BED WITH HIS TORTURER WHY WHAT WHAT DID I MISS 10 EPISODES

Annnnd we have a square on the Bucklemming bingo card:  OOC and plothole in one.  

Okay, I’ve officially lost any sympathy for Toni I might have had.

If she ends up redeemed and she becomes yet another abuser/violator that Sam has to welcome into his daily life, I’m going to be royally pissed.

Upper Class Twit of the Year

welkinalauda:

Toni: Can we end this, Sam?  Please.
Ms. Watt: Are you really going to make me do this?

Abuser 101: “Your failure to immediately acquiesce to my unreasonable demands compels me to coerce you into compliance; all blame for my actions falls on you.”

Toni:

There hasn’t been a monster-related death in Britain since 1965, because we are good at our job.
I wonder what happened in ‘65?  But more important, who’s ‘we’?  Our Miss Toni wasn’t alive in ‘65, and it doesn’t look like she routinely gets her own hands dirty now.  By her account, her organization is coasting on systems instituted at least a generation before.  She’s confused the continued efficacy of her predecessors’ methods with personal competence.  And what we’ve seen of her own work isn’t competent: that sad, sorry excuse for a family tree, the arrogant stupidity of kidnapping Sam Winchester with intent to torture.  She’s basically George W. Bush, but with some gumption.

Toni:

I need you to give me names, and locations, and everything else.  Dead drops.  Meeting places.  An organizational hierarchy, because maybe, with all of us working together we can do what you never could.  Make America safe.
She has no imagination at all, does she?  She’s an authoritarian working in a hierarchical organization, so everyone is an authoritarian working in a hierarchical organization, and she will cling to that belief no matter what facts get tossed her way.  Sam could tell her the precise truth – that US hunters barely have a phone tree, much less an organized hierarchy, and that the last guy to try running dispatch is out of the game d/t werewolfism – and she’d probably discount it as Sam making shit up to get the torture to stop.  Of course Sam isn’t going to put her on to his drinking buddies or his favorite craft stores.  She’d just go trample them in search of her non-existent hierarchy.

It’s that arrogant, authoritarian stupidity that has her imagining that she can impose British MoL-style “safety” on North America.  I don’t think she understands the logistical challenge she’s proposing.


It is interesting, though, that Supernatural’s most prominent only-good-monster-is-a-dead-monster bigot was Gordon Walker, a black man.  Now they bring us arrogant, stupid bigot Toni Bevell, a white British woman.  And, of course, our white male heroes oppose their bigoted agendas with their

all-American

hearts.

It is interesting, though, that Supernatural’s most prominent only-good-monster-is-a-dead-monster bigot was Gordon Walker, a black man.  Now they bring us arrogant, stupid bigot Toni Bevell, a white British woman.  And, of course, our white male heroes oppose their bigoted agendas with their all-American hearts.

This really bothered me, too. A little too much of “watch the pretty white males be right all the time.”  Made me uncomfortable.

wingstocarryon:

ameliacareful:

They’re obviously an evil organization but the British MoL does do a very nice hair cut whilst torturing.

They’re great with both the blow torch and the blow dryer.

Well, maybe it was an accident.  You know, got a little too close with the blow torch and singed off a layer or two of hair on the left side.  Being as uptight about the rules of the universe as the Brit MOL are, maybe the asymmetry threw off their concentration and they just had to, you know, switch hands and burn off the left side too, even things up a bit before they could proceed with the torturing.  

mittensmorgul:

mittensmorgul:

I’m just watching 10.05 Fan Fiction again, and at the VERY END when Maeve comes running down to the stage to tell Marie that the publisher’s ticket was claimed, THIS is her response:

MAEVE : The ticket you left for the publisher? Someone claimed it!
(We see the arm of a man. When Marie sees him, she’s shocked.)
MARIE : Oh my gosh! But wait… does that mean that– Calliope came for me or for–?
MAEVE : Who cares? Go, fangirl!

So Marie’s very first thought on seeing Chuck, or Carver Edlund, is that maybe Calliope was there for him, because it had been his story first. But it was “Marie’s vision” they were writing and performing.

In the previous scene, though, she proved she really did understand that she was talking to “the real Dean” when she handed him the prop Samulet and told him to take it, calling him “jerk.” Dean reflex-replied “bitch,” and immediately realized how bad that must sound… But Marie just grins at him while Dean awkwardly shuffles away.

And it struck me funny, because when we see Chuck again at the end of s11, we see him repeatedly dodge claiming full responsibility for problems he’s directly responsible for. Beginning in 11.20 and running right up through the final scenes of 11.23, we see Chuck hiding out, writing a highly sanitized and self-glorifying version of his own story, foisting off the responsibility to clean up his own mess onto anyone and everyone else. He’s a hybrid slippery eel/weasel. He’s got an explanation and an excuse for everything. He’s the embodiment of obfuscation and denial whose solution to every problem is to lock it up and try to pretend it doesn’t exist.

While we’re here (and since it’s also a Robbie Thompson episode) I’ll also quickly bring up the scene in 11.04 where Sam is talking to “his dad” in his dream. I still think there’s a lot of evidence pointing to that not being Lucifer, but Chuck himself sending that particular vision to Sam.

And since 11.20 was also penned by Robbie, I think it’s only reasonable to tie a few things together for comparison’s sake. I think he was already setting up the culmination of Chuck’s story all the way back in 10.05, even if the full measure of Chuck (as God) wouldn’t finally unravel until the end of 11.23.

From 11.20:

Metatron: It’s not. But you helped the Winchesters before.
Chuck: Helped them? I’ve saved them! I’ve rebuilt Castiel more times than I can remember. Look where that got me.
Metatron: So you’re just gonna let Amara win?
Chuck: Eh, it’s her time to shine.

First of all, can I point out that he used the word shine to describe The Darkness? The dark don’t shine on its own…

Okay, back to the point (hopefully!).Compare what he’s said to Metatron here, that he’s saved the Winchesters (including Castiel) over and over again, but John said this to Sam back in 11.04:

SAM: No, my father is dead.
JOHN: When has death ever stopped a Winchester?
SAM: Look, I don’t know what this is, but –
JOHN: What you said about relationships, wanting something more … I never wanted this for you boys. This life. Not really.
SAM: We turned out okay.
JOHN: You did, didn’t you? But that was on you boys. You did that, not me.
SAM: Well, you played your part.
JOHN: I did my best, anyway, for what it was worth.
SAM: This isn’t real.
JOHN: I never could fool you, could I?

Let’s start with death never having stopped a Winchester. In 11.20 quoted above, Chuck claims responsibility for all the Winchester resurrections. Death hasn’t stopped them only because Chuck has repeatedly interfered to make it so. Chuck needed the Winchesters to keep doing his work for him. Sure, he complained about all the work resurrecting them again and again created for him, but he still got to hide out and take the back seat while they did all the really grueling work for him. He played his part, for what it was worth, i.e. kept the Winchesters in the game to keep doing his wetwork.

Back in 11.04, “John” tells Sam that how the boys turned out was all on them. This entire exchange works if “John” is really Chuck, as well. He goes on to say:

SAM: I prayed when I was in that church, and I saw … Something. And now, here you are, whoever you are, whatever you are. What the hell is this?
JOHN: Dream. Vision. Call it what you want. The message is still the same. The Darkness is coming … And only you boys can stop it.
SAM: Okay, fine. How? We need help, not visions of dead people.
JOHN: God helps those who help themselves.
SAM: Who are you?
Int. Impala: Sam wakes from his dream to find Dean has pulled over and is parked.

Sam has seen through the illusion, he knows it’s not really his dad, and then immediately implies that Sam thinks this is the same entity who sent him the vision back in 11.02. “John” neither confirms nor denies this, but the message of the previous vision Sam got was DEFINITELY not “the same” as what he’s receiving now. His previous vision wasn’t about the Darkness coming and only Sam and Dean being able to stop it. This is distinctly new information for Sam.

The “God helps those who help themselves” line has always bugged me, because that’s really what Chuck has always done, at least as far as the Winchesters are concerned. His help has never been particularly helpful, other than keeping them in play on his giant game board.

Telling Sam that “only you boys can stop it,” well… we know full well after 11.23 that no, ONLY Chuck and Amara themselves can stop it. Only going all the way back to the river’s ugly source can they actually stop it, and that source was Chuck betraying Amara and locking her away in the first place.

So finally getting back to the original point here, way back in 10.05 where Marie sort of sees straight through to the heart of the issue (since Robbie has just shown us that she also saw through Dean’s mask, much the same way he showed us that Mildred saw through his mask in 11.11.. Robbie loves writing the Wise Women), and got it even just for a second that hey, maybe Calliope wasn’t there to eat HER, but because of CHUCK being there. She was just the “puppet” that stood in for the REAL AUTHOR OF THE STORY.

I think even just for a split second, Marie realized she might have been nothing more than a proxy, a stand-in stunt double, for a higher power. Because we know from 11.20-11.23 that that is exactly Chuck’s modus operandi when it comes to handling his problems.

It’s what he tried to convince Sam to do in 11.04. It’s what he tried to convince Metatron to do in 11.20. It’s what he tried to convince EVERYONE to do in 11.22. It’s the responsibility he tried one last time to foist off to Dean with the ridiculous Soul Bomb plan. And finally in 11.23, Amara refused to let the game continue and brought them face to face to finally hash out their issues themselves. No more proxies, no more puppets, no more hiding.

And it all started with this one little acknowledgement to Marie. When she asked him what he thought of her version of his story, he said, “Not bad.”

It was the first step in him acknowledging one of his proxies and validating their work. And it only comes full circle at the end of 11.23 when he basically says the same thing to Dean.

Ugh, reblobbed again because I left off one of the points I wanted to add here, and that’s the fact that Chuck himself was the one who reminded me of Sam’s 11.04 dream again in 11.21:

Chuck: You’re frustrated. I get it. Believe me, I was hands-on – Real hands-on, for, wow, ages. I was so sure if I kept stepping in, teaching, punishing, that these beautiful creatures that I created… would grow up. But it only stayed the same. And I saw that I needed to step away and let my baby find its way. Being overinvolved is no longer parenting. It’s enabling.
Dean: But it didn’t get better.
Chuck: Wel,l, I’ve been mulling it over. And from where I sit, I think it has.
Dean: Well from where I sit, it feels like you left us and you’re trying to to justify.
Chuck: I know you had a complicated upbringing, Dean. But don’t confuse me with your dad.

Don’t confuse me with your dad.

Is it one more deflection from Dean’s accusations? One more attempt for Chuck to shift the blame and avoid the real issue: that everything has been one long slippery slope we can trace all the way back to locking up the Darkness.

And that reminded me of this post I made a while ago about whose fault this whole mess really is.

Okay, I need to stop thinking about this for a while now. 😀

There is something peculiar in a small boat upon the wide sea. Over the lives borne from under the shadow of death there seems to fall the shadow of madness. When your ship fails you, your whole world seems to fail you; the world that made you, restrained you, taken care of you. It is as if the souls of men floating on an abyss and in touch with immensity had been set free for any excess of heroism, absurdity, or abomination. Of course, as with belief, thought, love, hate, conviction, or even the visual aspect of material things, there are as many shipwrecks as there are men, and in this one there was something abject which made the isolation more complete – there was a villainy of circumstances that cut these men off more completely from the rest of mankind, whose ideal of conduct had never undergone the trial of a fiendish and appalling joke.

Joseph Conrad, Lord Jim

And finally, I think I get why that little boat was there outside the church at the end of season 8.  They took the lifeboat.  (And then in the next season, Sam struggles with having taken it and we see him next to this book.)

image
image

denugis:

I mean, anyone who follows me is likely aware that I am not biased against Sam. I may frequently go to the opposite extreme of being biased against Sam. 

I would still absolutely love to read a fic in which Jess is resurrected and does not like the current Sam at all and has negative-one-billion desire to be in any kind of romantic relationship with him.

In a similar vein, sometimes I wonder what Ellen would have said to a younger hunter that ran into later seasons’ Sam and Dean. Would she have said that they were good hunters but to turn around, get out of town and let them handle it like she did about Gordon?