Do you think Supernatural suffers from protagonist centered morality, or was that more common in earlier seasons? Or maybe it’s not actually the case at all?

cupidsbower:

That’s a great question. I don’t know that I’d use the word “suffers”… but then again, maybe that is the right word for Supernatural. 🙂

The short answer to your question is yes, of course. Think about it: the central conceit of the show is that they are secret hunters of supernatural creatures that “normal” people don’t know about. For that reason alone, the show’s morality is tied to the protagonists, because if we don’t believe they’re really fighting monsters and there’s some justification for it, then… they’re really serial killers hallucinating people as monsters as they rampage across the country?

There’s a reason that’s a trope in fanfic.

The longer answer is that the show has tended to privilege Dean’s opinions of people and events over the years. His attitudes are nearly always borne out. I’m too tired right now to collect a bunch of caps to illustrate this, but Ruby for instance. She was really convincing, but Dean was never convinced.

The text is more likely to paint Sam as wrong in comparison – the way God called out Sam for instance in 11×20.

The way Sam and Dean are contrasted in this regard is a definite textual bias, used for dramatic effect. It ups the stakes of the conflicts between the brothers.

All of that said, the show has started to shift on that a bit lately. In Red Meat, for instance, Dean was definitely coded as wrong to take those drugs, and Sam was coded as righteous and kick-ass.

I think this shift in morality is linked to the arc about undoing their co-dependency. But that progress is in fits and starts, and sometimes there are setbacks, so it’s not yet as obvious as the pattern of Dean usually being right that existed throughout the earlier seasons and still lingers to the current season.

“Beyond Duality”: Carver era as a search for wholeness

flyingfish1:

“Quests? Suck. Trust me. They’re all dead
ends.”
“It’s hard letting go of a story, a mission.”
“That [life’s mission] was your story…. I got one of those, too… but those
stories that we tell to keep us going? Man, sometimes they blind us.  They take us to dark places.”

Most people know Joseph Campbell’s “Hero With a
Thousand Faces
,” which uses a blend of mythology and psychology to
describe a supposed “archetypal” male heroic quest story. Historically/culturally
accurate or not, the stages of the Hero’s Journey have become very well-known
and very influential for writers—Eric Kripke included, btw.  

The Heroine’s Journey, written by
Campbell’s student Maureen Murdock, is a similar thing, except that instead of focusing
on the archetypal hero, it focuses on the archetypal heroine. (Not everyone who goes on a heroine’s journey is a woman,
though; nor does the heroine’s journey necessarily apply to all women. Looking at it from a writing perspective, it’s just
another way of structuring a plot/character arc… one that’s a little
different from the usual fare.)

We’re smack in the middle of a heroine’s journey
right now. And that is really, really
interesting.

Because at its most
basic, the heroine’s journey is about turning away from the expected path (i.e.
the heroic quest, the road of trials, Campbell’s hero’s journey) because the
expected path is harmful—physically, spiritually, and emotionally. It’s about
going your own way and achieving autonomy. It’s about accepting
the entirety of yourself—particularly
the aspects that have been repressed or rejected. It’s
about using that newfound sense of self-acceptance to affect the entire world.
And it’s about arriving at a balancing of opposites and becoming whole. All
the emphasis on duality and the merging of opposites in s10 and s11 so far? That’s
the heroine’s journey all over.

This is the best online summary I’ve been
able to find. I recommend Murdock’s book, too, if you can find it—it’s
interesting and goes into much more detail. It’s a little dated, maybe… But
so’s Campbell, really, if you actually read his book–so much more Freudian than I’d
expected :p Still a solid story structure.

The hero and heroine’s journeys begin similarly,
with a heroic quest, but they diverge after that: once the heroine has achieved
the goal of their quest, they realize that their attempt to fulfill the hero’s journey has left them missing
something or feeling like an incomplete person, maybe falling ill—and they realize that they
need to go on a further journey in order to become whole. Once the heroine has
achieved balance, they can finally live freely.


All three members of Team Free Will started
their main Carver-era story arcs by trying their very, very hardest to break
themselves permanently in two.

Keep reading

Reblogging this now, after the latest episode (Don’t Call Me Shurley).  

Through visual motifs, Amara has been brought into parallel with Mary Winchester and themes of sacrifice.  It would certain fulfill the imperative that the river shall end at its source” that Chuck and Amara were once one and the same, and that the only way out of this current situation is a sacrifice that leads to their reunion.  

God divided himself in half because His “darkness,” His aspect of nothingness, was destroying His every creation.  His failure to make peace with that part of Himself reverberates through the ages via Lucifer’s rebellion and his subsequent corruption of humanity. Lucifer was tasked with carrying the burden of the key – the seed of betrayal and discontent.  And it was Lucifer who corrupted Lillith and Cain, and who tempted Gadreel from his role as guardian.  Per Chuck, Lucifer was not the villain. Instead, Lucifer himself was corrupted by God’s initial betrayal.  Lucifer was God’s first failure and because He didn’t embrace Himself as a whole, He, too, rejects the darkness in humanity.  

Key to the Kingdom (11×20)

drsilverfish:

“It’s not an infection. She says it’s a mirror. She’s showing us all the truth. The light was just a lie.” (”Don’t Call Me Shurley” 11×20)

Mirroring between dark and light also occurs strongly in Robbie T’s earlier episode 10×11 “There’s No Place Like Home”, when Charlie is split into Dark Charlie and Light Charlie.

The solution was a merge

Charlie (speaking of the Wizard in 10×11) 

“He used the inner key of Oz. It opens a door to your soul and lets the darkness out. Uh, we’re still connected physically.”

On a cosmic level, Dean has surely become the key, thanks to him being the last bearer of the Mark of Cain. Removal of the Mark from Dean resulted in the release of the Darkness, to whom he is now “bound” in some fashion.

Which would be why Amara intends to spare Dean amongst all the beings of creation. 

Question is – can a merge between God and the Darkness (which I really hope proves to be the solution) take place without the destruction of the key?

foolscapper:

thing-you-do-with-that-thing:

foolscapper:

thing-you-do-with-that-thing:

foolscapper:

“C’mon! Your heaven is somebody else’s Thanksgiving. Okay. It’s bailing on your family. What do you want me to say?” (5×16)

I get why Sam wanted to leave I do! – but the thing is he doesn’t see how much it hurt Dean every time he did. Dean had a chance to run – he chose not too because of Sam. He always chose Sam – so everytime Sam runs he takes a piece of his brother’s heart with him because he is not only leaving John. He is not only leaving the life. He is leaving the brother that did everything within his power to protect him and be there for him. He is leaving Dean. 

I don’t know how old this is because I just noticed it, but as the original creator I feel I should speak up:.. I think this is a little unfair for a number of reasons… One thing is that when Sam left, he wasn’t leaving his family in every sense of the word. When you move out of your house, nobody accuses you of leaving your family, of running away. And this is in a NORMAL AND SAFE ENVIRONMENT, unlike Sam’s. This is a terrible and weird expectation and description this fandom has bought into entirely from Dean’s (understandable) insecurities and character flaws, flaws we as an audience shouldn’t be taking at face value just because a character buys into it. We don’t buy into Dean’s belief that he is nothing but an expendable soldier in Trial and Error because we know his POV is not positive towards himself. What Dean perceives is not always true. He thinks Sam is abandoning him – Sam is merely fleeing a terrible lifestyle. Why is this being placed on Sam’s shoulders when it’s John (the parent’s) job to make a more comfortable and happy living space? Why isn’t it placed on John, who makes Dean feel his other child is Dean’s responsibility?

Another problem I have with this is that Sam never planned on cutting Dean and John out of his lives; he simply could NOT stay with them and also continue his own desires in life. It was a toxic environment, and not good, and he deserves to leave without reprimand. The thing is, he was disowned, told to never come back. And regardless of what John did – checking up in secret at a distance – Sam left with the full knowledge his family did not accept him for what he wanted. Dean says as much in S1, trying to steer Sam away from a normal life in the hopes he could reunify his family, which I understand – but it’s not acceptable to try to pull someone back into something they weren’t happy with.

I also feel it’s terrible to put the weight of Dean’s choices on Sam’s shoulders. Dean chose Sam at times, I get that and I think he was admirable in his attempt to provide where John did not always, but Sam was a *child* (of course, so was Dean!!) and Sam should not be at fault, should not be guilted, and should not have to answer to Dean for escaping why was still a dangerous lifestyle. If two children are in a household promoting dangerous life professions and one moves out as soon as they’re of age, we don’t criticize them for not listening to the other sibling asking them to stay. Dean is allowed to feel what he feels, and we can understand why, but none of this is Sam’s fault. Sam, who was hurt deeply by his childhood in different ways from his brother.

Just because someone elects to protect you or is even given the task of protecting you against their wishes doesn’t mean their feelings are prioritized over your future happiness after years of unhappiness. And nobody owns your decisions just because they looked after you when you were too small to do it yourself. We don’t do that with a parent and a child, or a sibling and a younger one. They are not entitled to your future just because you don’t want to live in the same house or occupation as them.

I don’t understand… Sam was clearly suffering too, clearly unhappy and dissatisfied, clearly felt unsafe and like an outcast in his family, but people often comment negatively about his constant desire for escape. Both boys are in pain, it’s true. Both boys deserve to leave if they want that. Why are we leaving negative comments when one finds the courage to walk away from the only thing they’ve ever known so they can find happiness…? I’ll never understand.

Dean’s feelings do matter. But they are often followed by unfair fingers pointed. You say Sam didn’t understand how he was hurting Dean by leaving. And there could be truth to that, considering how heavy Sam’s own aches were that it led him to running away when he could. But by that same token, Dean never understood how much hurt Sam carried with him in their childhoods and lifestyles either, if he only sees it as Sam abandoning him.

If you read my first sentence you will see I said I get why Sam wanted to leave. I get he was a smart kid. I get he was scared a lot in his childhood. I get a lot was put on him too.
All I am saying is Dean was 4 years older but still a kid. He was scared too. He had drilled “look out for your brother boy” into his head even though it never needed to be. He always chose Sam first. In everything he ever did he put him first.
Dean says they had thanksgiving because to him they did. They had each other. Sam dreamt of normalcy. When he yells at Sam for talking about their mother remember he was 4. He is a kid that remembers the heat and smells of the fire that took his mom away.
Sam doesn’t remember her which is a blessing aswell as a curse.
John made a lot of mistakes but he tried to protect his sons. No matter what John or Dean did Sam would always have been dragged into the life because of a deal his mother made. Sam’s faith is ultimately on her not his dad while Dean’s is though.

Dean always appeared to be happy in the life but he never was. He wanted normal too. He wanted to be a mechanic. He wanted a house. Wife. Kids. But he never wanted it without Sam. In the djinn dream he puts Sam’s happiness over his own. When he was with Lisa he never stopped searching for him. When he was at Sonny’s he walked out on his chance of normal for his brother.
I am not saying Sam is wrong in wanting normal and I do think Dean got that and that is why he never reached out to him the two years he was at standford. All I said was I get why Dean was hurt when he saw Sam’s heaven didn’t include him when he has put his brother first in everything he did.
No Dean is not perfect! He has a temper and he says crap out of anger. He is horrible at telling people how he feels but he is good at showing it. Sam should have known how important he was/is too him.
I do think he knows today though. And this is not Sam hate. I love him! I relate to Dean a little better but Sam is amazing too!

I appreciate that you like Sam! If my comment sounds harsh in any spot it’s only out of tiredness.

I will get my usual “I do not agree at all that John did the best he could for his children” line out of the way, and have no desire to talk about that in detail, as I’ve done that before and it usually just ends in walking in circles. Sorry, not really my thing as of late!

My biggest issue with your original comment, and why I commented, is that you are making this Sam post (a post about about *why* he was well-deserved in leaving behind a clearly painful childhood and offered his side of view) about Dean’s feelings instead. This post is about providing insight on why Sam’s heaven has no “family” memories – on why he he wasn’t “bailing” on his family when he was out-running a turbulent and terrible lifestyle that hurt him.

Dean was wrong in painting Sam’s escapes and lack of devotion to a broken family as negative, *regardless* of Dean’s own skewed thoughts and devotion. Dean’s feelings are valid, but his outlook on Sam’s childhood is extremely biased and morphed by his own issues – and I fear many fans share his POV without looking outside of the box and seeing why Dean is wrong in his claims in Dark Side of the Moon, regardless of how much it hurt him to see the tragedy that Sam was in considerable pain as a boy and that escape brought him solace.

Your comments, however, are spiraling into romanticizing Dean’s childhood and his actions later in adulthood. Dean is not 4 when he accuses Sam of abandoning his family. He is a fully-grown adult who – while we understand his reasoning – is not excused or right in lecturing his brother on leaving an abusive household. But you are grossly misunderstanding why I made this blog entry in the first place if you are immediately glossing over all of this contextual evidence I provided just to include “okay but Dean’s feelings were hurt!”. Dean’s feelings on the matter isn’t new information; in fact, that is why this entry was made. It was made because I continually saw negative comments about Sam in Dark Side of the Moon, with the commenter siding with Dean’s point of view and making it out like Dean’s feelings were hurt by a terribly selfish brother who had been protected by Dean and should have been content in his childhood by his brother.

You honesty don’t need to explain Dean in detail to me, and admittedly I was a little annoyed at first read of this comment that you felt the need to explain his side dramatically like I don’t know his side and his struggles…? Like I needed a refresher or I needed to see the light on Dean’s side…? That I was missing the emotional gravitas of Dean’s meta? I’ve smoothed out any irritability by assuming that wasn’t your intentions at all, but I think it’s important to point this out.

I know he carries trauma and I know his issues are deeply rooted in his difficult upbringing and the death of his mother. But this is making a post about Sam’s side of the coin all about Dean’s suffering and how Sam is causing it in some degree, when my post was intended to be about *Sam’s pain*, to give evidence that no, his childhood was not perfect, and Dean couldn’t protect him from everything, that he was not provided with things children deserved, and that Dean *did* see things through rose-tinted shades of brotherhood. This post is a record of Sam’s side that is often glossed over in favor of Dean’s side, of Dean’s feelings. And when I look at my entry and Sam’s pain and see it used in a negative light to comment on how much he hurt Dean, I don’t particularly feel super stellar about it…!

The crux of the matter is that your initial comment created a negative Sam portrait whether intended or not (“Sam didn’t think of Dean’s feelings, Sam left Dean, Dean chose Sam but Sam didn’t chose him and that hurts” I feel is an apt summary). The comment puts Dean’s feelings first on a Sam-themed post. You don’t need to defend Dean’s abandonment issues in a post detailing and giving insight into Sam’s childhood neglect and emotional struggle. I see Dean’s hurt feelings addressed constantly, and I see Dean’s hurt feelings used to railroad Sam’s feelings and push his reasons aside for wanting to run.

You commented to explain Sam didn’t understand Dean’s pain and to focus on Dean. Yes, you preluded this with “I get why Sam wanted to leave”, but you did ultimately go into Dean’s feelings instead and used Sam’s escape from his bad childhood specifically about how it made Dean hurt. This post wasn’t made for people to glance at and say “okay I get why Sam wanted to leave but let’s not forget about Dean’s feelings and how Sam hurt them”. You misunderstood my post if that was your go-to comment. This is a post about Sam’s childhood. This is about *his* pains and struggles. This post is not attacking Dean; it has important quotes from him to show why Sam’s family life is ruptured and broken, but it’s not an attack on his person or a road to open up discussion on how much Sam hurt him. This post is showing Sam’s side of Dark Side of the Moon. This post is about Sam. It shouldn’t even need to devolve into defending Dean’s feelings in the first place, because in doing that, it’s making Sam’s own feelings secondary in a post that is entirely supposed to be about HIM.

Not about Dean doing so much for Sam and always protecting him and Sam not choosing Dean and Sam breaking Dean’s heart over and over and over!

But about *him*. About giving *his* side a chance, about addressing *Sam’s* hurt feelings. And his own fractured childhood.

And as the author who made this, that kinda sucks to find someone missed the memo on a Sam post and wanted to talk about Sam inflicting pain on Dean instead.

One aspect of Supernatural that brought me into the fandom in Season 2 was the portrayal of two brothers who had been raised in a dysfunctional environment who were reconnecting.  They were finally questioning the assumptions about each other that they had been taught by their father’s definition of family and what it means to be a member of it.  Dean was questioning the assumption that Sam was selfish for making decisions based on what he needed.  Sam was questioning the assumption that Dean was John’s mindless soldier and only defined by hunting.  They were redefining their relationship away from John’s direct influence and creating bonds based on who they really were rather than the roles they played in their family. 

So, when I see discussions that conclude that Sam hurts Dean by leaving, I can’t help but think of how much this reflects our societies’ tendency to value self-sacrifice and how that makes abuse possible.  People who sacrifice in order to keep others okay are lauded for it.  But, it’s a double edged sword.  Is altruism and important value in society?  Yes, very much so.  But where is the line?  When does the expectation that you will light yourself on fire to keep someone else warm tip over into abuse?   

I would argue that the line is here, in what we see enacted between Sam and Dean.  They were socialized to ruthlessly cut off essential parts of themselves in order to maintain the family unit as John defined it.  Both of them were.  When they were young, one decided to cope by subsuming his personality and complying.  The other decided to cope by fighting it, and when he was given the ultimatum to comply or leave, he chose to leave.  

Did Sam leaving hurt Dean.  Does Sam’s leaving over the seasons of Supernatural hurt Dean emotionally?  Yes.  But what is the cost if Sam continues to sacrifice large parts of himself in order to keep Dean emotionally okay?  And are those okay to ask of anyone? I would argue that they are continuing to act out the old family dynamics of subsume your personality in the service of “family,” which leads ultimately to it being okay to ask Sam to allow Dean to kill him and his refusal to be labeled as “selfish.” 

But, there’s a significant cost to Dean, too, if we keep framing this level of self-sacrifice as being expected in order to maintain the relationship.  If Sam only stays because he hurts Dean’s feeling otherwise, then he is enabling Dean.  He’s reinforcing the belief that Dean only exists as a tool of the family.  That he’d never be able to have value and function outside of “family.”  So it only reinforces that family dynamic that they were challenging back in Season 2.  Perhaps those things they learned helped them survive what was waiting for them in Kripke’s mythology, but the cost is pretty horrific, to both of them.   

Supernatural Visual Themes: Programming

image

Naomi from A Little Slice of Kevin

image

Crowley translating Samandriel’s enochian utterance under torture, “‘You, celestial being have been created to be an angel of the Lord.’ You’ve got into his operating system, his factory settings.” Torn and Frayed

programming

   [prōgram′iŋ, -grə miŋ]
noun

  1. Programming is defined as the act of writing computer code, to the act of scheduling television or radio programs, or behavior that has been instilled.

I honestly can’t think of what the “No good Awful Terrible Really Bad Horrible Shirt” might be. He’s worn subtle pink plaids before, I remember. A hint on the episode or season to look for this? I have to see it now.

safiyabat:

themegalosaurus:

peanutbutterandbananasandwichs:

themegalosaurus:

caranfindel:

hearseeno:

safiyabat:

I got this from the superwiki site.  It’s a promotional pic from “Metamorphosis.”  

imageI want to salt and burn this shirt.  

LOL! That’s really funny how one shirt can inspire so many strong reactions.

Cuz, I love that shirt.

I love the fact that whoever designed it used the backside of the fabric and we’re seeing only the hints of what is underneath – and this seems appropriate for Season 4 Sam.

I love that it’s white and red – purity and danger/blood combined – also appropriate for Season 4 Sam.

I love that it’s basically “Fuck you” Pink in the context of Dean doing so much of that I’m the older brother “Samantha” and “You’re a red-headed woman” kind of teasing.

I love that Sam either is so desperate for shirts that fit, is so damn logical/practical, or has no discriminating taste whatsoever that he couldn’t care less what’s on it as long as it does what it’s supposed to do.

And then, I love it’s construction – its placket front and lack of give in the woven cotton fabric that meant Sam had to stretch his arms up over his head to pull it on

safiyabat

and themegalosaurus need to admit this shirt is awesome.

ahahaha I LOVE that there is meta about the pink swirly shirt

You need to call out sweetsamofmine as well. I think she and safiyabat hate it more than I do! (I do think it is a very very bad shirt) (but some of his others are even worse) (brown and grey and orange thick stripes and pointy pockets SAMMY NOOO)

Wait, are you talking about this shirt?!

image

Because that is my favourite Sammy shirt of all (v-necks not withstanding of course!) I just love the fact that its survived all the way from S3 (A Very Supernatural Christmas is its first appearance I think?). Apparently I have equally as bad a taste in clothes as Sam. The "No good Awful Terrible Really Bad Horrible Shirt" however can burn in hell for all eternity

Ahahaha I’m sorry yes that was exactly the shirt I meant!! I think it’s horrible!!! But that’s fine. To each their own. (I prefer a tasteful plaid or ideally a nice figurehugging sweater)

I love the fact that Sam makes terrible fashion choices.  

I mean, I’m sure that it is a real challenge to be his size and thrift shopping for a lot of your clothing and have to just kind of take what you can get.  But I also don’t get the sense that he cares what goes on his body as long as it does its job.  (I dress roughly the same way to be honest.)  

But he does tend to have some truly eye-scarring garments.  And the No-Good Awful Terrible Really Bad Horrible Shirt is one of them.  Maybe someone can ask what happened to it at NJ Con?

*snicker*  Oh, yeah.  There’s all kind of meta about clothing in Supernatural.  I may have even charted colors worn by Sam and Dean in the first 3 seasons in a fit of flu-enduced OCD.  See?

image

image

All based on analysis of how Supernatural uses color as a thematic motif:

image

It all got started with Bowtrunckle’s observation that Yellow was showing up as a reference to things associated with the Yellow-Eyed Demon – and later all things supernatural. I’ve pretty much stopped following the discussion since the end of Season 4, but Zimshan picked up the discussion and changed my mind about the use of green as referring to fate and red/white/blue instead referencing choice/free will.   Once the angels were introduced it was Blue/Yellow all over the place in reference to them (e.g., Hael’s outfit and the ubiquitous yellow/blue Sandover outfits). 

Supernatural Color Wheel and Spnematrography’s color tag

And so Sam and Dean’s wardrobe started moving toward more green and blue into season 3 (sacrifice + fate) as the myth arc starts to unfold.  Sam’s wardrobe slowly moved away from neutrals to a mix of green/blue and more frequent incidences of yellow and red, echoing his side of the myth arc journey.

I’ve seen other meta on Dean’s wardrobe as an indicator of his mental state, as in how many layers he wears and when he’s comfortable getting out of the layers (i.e., always in all layers laying atop his bed after returning from Hell and in later in Season 9 versus the dead-guy’s robe in Season 8 and Season 1-3? stripped down and under the covers to sleep).

There are all other kinds of visual motifs that pop up with consistent thematic references.  Flowers -> secrets/something hidden, bridges -> connections, doors -> choices, bars/slats/dividers -> being caged, just to name a few.  There’s been some great discussion of motifs, placement and shot angles at spnematography if you’re interested.

Aren’t you glad you asked.  😛