Jane Austen: The slowburn writer to end all slowburn writers. Has a mild case of purple prose syndrome. Sets you up to think she’s using a really lame trope or cliche, but then pulls the old BITCH U THOUGHT. Gets in fights with commenters who completely miss the point of her work.
William Shakespeare: Where dick jokes meet feels. Recycles old plots that have been in the fandom for years, but always manages to put a new spin on it. That said, he’s better known for good character writing than good plots. Kind of problematic, but people love him anyway. Laughs at and encourages commenters who completely miss the point of his work.
The Brontë Sisters: Their fics get lots of comments but they never reply. They never leave author notes, either. They share an account, and there are talks of a collab fic coming soon. Write fics for OTPs of questionable healthiness and consent. Only ever write darkfic. Like, REALLY dark. …People are getting kind of worried about them.
Edgar Allan Poe: Also only ever writes darkfic, but at this point, people have moved past being worried about him and have just accepted that he’s weird, he’s morbid, and we love him. Channels his feelings about his ex into his writing. It results in really good stories but everyone’s sort of like, “…Dude.”
Charles Dickens: Trying to set the record for highest wordcount on ao3, and it shows.
Victor Hugo: Currently holds the record for highest wordcount on ao3.
Oscar Wilde: Only ever writes M/M. Has a BAD case of purple prose, but it’s worth it if you manage to get through. His stories are either hilarious or soul-crushing. Or somehow both. People love him but know better than to disagree with him publicly, lest he destroy you with one of his infamous subtweets.
L. Frank Baum: Wrote one really well-loved story that’s among the most famous in the fandom, and it’s literally all he’s known for, and it pisses him off. His popular story became a multichap against his will because it’s the only one of his stories anyone actually reads. He keeps trying to end it so he can work on other things, but always ends up coming back.
Arthur Conan Doyle: Feels L. Frank Baum’s pain. SO much.
James Joyce: Has fascinating ideas, but takes forEVER to get to the point in his stories. Also a stoner, and it shows.
Lousia May Alcott: Writes stories for her unpopular OTP (that’s a NOTP for most of the fandom) and breaks up everyone’s favorite ships, mainly out of spite. Also kills everyone’s favorite characters, less so out of spite.
Mary Shelley: Writes incredible stories, but publishes under her boyfriend’s account because she’s banned from ao3. …Again.
I know discourse is the word of choice in fandom nowadays but I kind of wish we would have stuck with “fandom wank” because it carries the implication that the anger involved culminated into effectively nothing and that the act was wholeheartedly masturbatory in nature rather than for any greater cause.
I saw this post about an hour after I saw a post that said, essentially, “There should be a word for that thing where [exactly describes ‘squeeing’].”
I feel like the time has come to produce something like this:
Squee: The noise you make when something is so good that all you can really do is squeak or squeal. A high pitched sound of delight, often accomanied by hugging yourself or others.
Squick: A fic/art/concept/topic that is repellent to you, so you reject association with it and instead retreat to your personal comfortable spaces- all the while remembering that someone else’s comfort is not your own.
YKINMKATO: Also called “kink tomato.” Abbreviation meaning “your kink is not my kink, and that’s okay.” Used to explain why you are rejecting art or fic brought to you by someone else. A solid mantra to recall instead of sending flames in people’s comments
Flames: The comment equivalent of anon hate.
AMV: “animated music video” or “anime music video.” Often, this is stylized to fit a specific fandom, such as a “PMV” (pony music video) in my little pony. May also be referred to as a lyricstuck.
Filk: Combination of the words “film” and “folk,” this is a music genre, to which “fan songs” and “fan parody covers” belong. If you don’t really understand what this means, take a quick listen to American Pie, then compare Weird Al Yankovic’s Saga Begins
BNF: Big name fan. You know that one person who is just so fuckign popular in your fandom? Their art is always on your dash, everyone knows their fics? Being spoken to directly by them is basically being noticed by everyone ever’s senpai? That’s what these people are called.
DL:DR; Not unliked the teal deer (tl;dr, or “too long, didn’t read”), DLDR means “don’t like? Don’t read!” It’s a reminder that you are under no obligation, ever, to expose yourself to uncomfortable (or, squicky), or potentially harmful (or, triggering), material. Not ever. If you don’t actively like something? It’s not worth your time. Skip it.
Gen: or “genfic” “genart” etc. Fan works which contain no or very little romantic content. Often these are styled after the canon material, and may be called “episodic” ro “slice of life” in addition.
Lemon: Work containing strong pornographic elements
Lime, or Citrus: Work containing mild or implicit pornographic elements
Sockpuppeting: The surprisingly common scenario of someone making a bunch of fake accounts/sideblogs to send themselves reviews or hate, to try to increase views or drama surrounding a work. The accounts they make are called Sockpuppets.
WAFF: Warm and fluffy feelings. A genre of fic that exists just to be therapeutically sweet. Nowadays, usually just called “fluffy.”
Schmoop: Take WAFF and somehow make it even more syrupy. You’ll know it when you see it.
Whump: Imagine if you will, a hurt-comfort fic. The comfort might be considered WAFF. The hurt? That’s the whump.
Wapanese: When white autors pepper their anime fanfic with random, tonally inappropriate japanese words.
Anthropomorfic: Nowadays we just call these “humanstuck” or “humanized AU.”
Wank: Wildly disproportionate drama that crops up because someone wrote/drew/did something that someone else didn’t like. Seriously, I cannot begin to express the fiascos that have come about from all this. Just… Just go look at this.
Plot bunny: Story ideas that you probably won’t ever actually deal with, but that multiply entirely out of control, creating huge worlds in your head that you’re probably not going to write. But hey! You might! And until then they make great sideblogs/askblogs/tumblr posts.
Casefic: Fanfics that try to create an episode-like feel for procedural and crime dramas, moster of the week shows, etc.
Jossed: When popular fan theories and fanon are addressed in the canon of a series, and whoops, turns out we were all very, very wrong.
Kripked: When popular fan theories and fanon are addressed in the canon of a show and, hot damn, we fucking called it.
Secret Masters: The people who run the websites/ communities/etc that we all do our fanning on. Less relevant now that we have things like tumblr, but when everyone had to run their own archival and social sites for each fandom, it was more important to pay our respects to the strange and powerful beings that brought us all together and gave us our fannish homes. Think the staff of AO3, for example.
Bashing: When a writer purposefully writes a specific character as a horrible, horrible person so that they can throw them out of the storyline, usually to allow their OTP to get together without trouble. Distinct from fridging in that it doesn’t require the character to die, but rather to be such a screaming harpy that they get rightfully removed from the main characters’ lives for being an abusive hell beast. Generally, a type of character hate. Be wary of people who bash women, queer people, and POC with consistency: they are not safe to be around.
‘Squick’ also has an alternate horrible meaning for Harry Potter fans who were in fandom a while back. Dear god.
Also:
Purple prose: Fic that is excessively flowery and complicated. Basically the “me, an intellectual” meme. If it has the phrase “cerulean orbs” you know it’s purple prose.
Beige prose: The opposite of purple prose. Basically, the plainest (and, if done wrongly, the most boring) type of prose.
R&R: Read & review. Back from when fic comments were called “reviews” and there was no such fucking thing as the kudos button.
ahhhhhhh memories!
some of these are new to me…
This is the most helpful thing I’ve seen today. I wish I had known these things in the beginning!!
Concrit: Constructive criticism
Twee: Excessively childish
Stan: to bend over backwards to defend a character, celebrity, ship, etc.
I have asked this myself in the past and never gotten an answer.
Maybe today will be the day we are both finally enlightened.
woodsgotweird said: man i just jumped on the bandwagon because i am a sheep. i have no idea where it came from and i ask myself this question all the time
Maybe someone made a typo and it just got out of hand?
I kinda feel like panic!at the disco started the whole exclamation point thing and then it caught on around the internet, but maybe they got it from somewhere else, IDK.
The world may never know…
Maybe it’s something mathematical?
I’ve been in fandom since *about* when Panic! formed and the adjective!character thing was already going strong, pretty sure it predates them.
It’s a way of referring to particular variations of (usually) a character — dark!Will, junkie!Sherlock, et cetera. I have suspected for a while that it originated from some archive system that didn’t accommodate spaces in its tags, so to make common interpretations/versions of the characters searchable, people started jamming the words together with an infix.
(Lately I’ve seen people use the ! notation when the suffix isn’t the full name, but is actually the second part of a common fandom portmanteau. This bothers me a lot but it happens, so it’s worth being aware of.)
“Bang paths” (! is called a “bang"when not used for emphasis) were the first addressing scheme for email, before modern automatic routing was set up. If you wanted to write a mail to the Steve here in Engineering, you just wrote “Steve” in the to: field and the computer sent it to the local account named Steve. But if it was Steve over in the physics department you wrote it to phys!Steve; the computer sent it to the “phys” computer, which sent it in turn to the Steve account. To get Steve in the Art department over at NYU, you wrote NYU!art!Steve- your computer sends it to the NYU gateway computer sends it to the “art” computer sends it to the Steve account. Etc. (“Bang"s were just chosen because they were on the keyboard, not too visually noisy, and not used for a huge lot already).
It became pretty standard jargon, as I understand, to disambiguate when writing to other humans. First phys!Steve vs the Steve right next to you, just like you were taking to the machine, then getting looser (as jargon does) to reference, say, bearded!Steve vs bald!Steve.
So I’m guessing alternate character version tags probably came from that.
100% born of bang paths. fandom has be floating around on the internet for six seconds longer than there has been an internet so early users just used the jargon associated with the medium and since it’s a handy shorthand, we keep it.
I am more than 90 percent sure that the first bang!character was Mulder–you had like, Something!Mulder. Oldos of fandom, back me up on this?
(Fanlore gothic: There is an entry on fanlore. There is always an entry on fanlore. The fandom hasn’t even happened yet and there’s an entry on fanlore. We are all about to die in the apocalypse and there’s an entry about it already on Fanlore)
Ahahaha, and the entry on Fanlore already LINKS TO THIS POST. Holy endless recursion, Batman!!
Lin-Manuel Miranda has launched a merchandise site called Tee-Rico that will sell fan art inspired by his work. (AP)
WHAT
Among Miranda’s latest endeavors is the merchandising venture launched this week at teerico.com for Miranda-related, and not completely “Hamilton”-centric, items. (WaPo)
“I’m opening a merch line of Hamilton-inspired art. I don’t want to stop artists from making things they love. That doesn’t feel right to me. So I’m joining them. This morning we launched TeeRico.com.
“I’m not selling Hamilton merch. Hamilton merch is Hamilton merch… But I sought out people who were making Hamilton art that I really liked… and said ‘Come work for me.’ I’ve hired them to make tee Lin-inspired stuff, they share in the proceeds. It’s a totally family-owned business. My brother-in-law is running Tee-Rico. There’s Heights merch, stuff based on my tweets, it’s really crazy…To quote Heights, it’s our ‘mom-and-pop Stop-&-Shop.”’ (Deadline.com)
OH.
WELL THIS IS GREAT
Interesting?
huh. That’s an interesting wrinkle in the evolution of creator-fan relationships.
What is scary about transformative fandom is that it’s a place where young women love their media without reservation, and where they can make stories for themselves. That’s why as a culture we’ve decided that transformative fandom is weird and gross and morally wrong, and that’s why all the articles in the world explaining that transformative fandom is a totally legitimate way to interact with a text aren’t really making a dent in the never-ending stream of repulsed investigations of fandom. Because fandom is the province of young women and, culturally, we find young women terrifying.
If you think mainstream culture hates YOUNG women (it truly does, especially women who value or please themselves as noted above), just imagine how much it hates MATURE women.
We write and draw a very significant portion of the fanfic and fanart out there, and even people here in Fandom are amazed and unpleasantly surprised to learn that fans over 25 exist.
(P.S. Devin Faraci tried to fight with me and subsequently blocked me on Twitter because I retweeted a bunch of things he’s said over he years about fan culture, which are handily quoted in this Tumblr post! Please enjoy! 😀 )
So as we all know, movie critic Devin Faraci caused a minor internet brouhaha Tuesday with a controversial piece about online fandom. “Fandom is broken” — which piggybacks off a milder but similar article published last week by the AV Club and argues that fan culture has entered an ugly phase — was largely met with solemn nods of agreement by everybody except, uh, anybody who’s actually in fandom and actually knows what the fuck fan culture is about.
The main target of the piece is fan entitlement, which Faraci believes is the result of fandom being “post-fanfic.” That is, he thinks the current state of fandom — which can be overwhelmingly polarized and activist — is a natural result of fans having so much personal autonomy over their own fanfiction and other fanworks (including fanart, fan film, fan meta, shipping, and fan theories). Consequently, they seek to have the same level of creator control over their canons, too.
Before we go any further, let’s be clear here. Some people should be told at all times that their diminishment of cultures they don’t understand only makes them look small, petty, and ridiculous. Faraci is one of those people. He has demonstrated again and again that he has only a cursory understanding of what fanworks-based fan culture is, and utterly no interest in examining it to a closer degree.
Faraci’s consistent response to fanworks and remixing in general is to be cavalierly dismissive. Please enjoy this litany of Faraci being cavalierly and unilaterally dismissive of virtually every fannish practice, from shipping to fan films to fanfiction:
To anyone who’s spent any amount of time immersed in fan culture, Faraci’s attitudeabout fandom is unilaterally tone-deaf, laughably inaccurate, and full of hubris. He is jawdroppingly secure in his opinions, and when you attempt to suggest that fanworks are far more complex than he’s acknowledging — as I once did in a brief exchange after one of his derisive tweets about fan theories — he typically dismisses you out of hand or ignores you altogether:
And then there’s this gem:
When I retweeted all of these tweets just now, Faraci responded by a) calling me out to his 40,000 followers, most of whom are apparently male and who naturally began brigading and harassing me on Twitter; b) blocking me, and c) tweeting this:
So. Now that we’ve established that Devin Faraci is a dismissive demeaning sexist shitbag and everything he says about being “concerned” about “fan entitlement” is concern trolling because he HATES fanworks and fans who create stuff and overanalyze and generally actively engage with texts, let’s move on, shall we?
I was cruising through the net, following the cold trail of one of the periodic “Is or is not Fanfic the Ultimate Literary Evil?” arguments that crop up regularly, and I’m now bursting to make a point that I never see made by fic defenders.
We’re all familiar with the normal defenses of fic: it’s done out of love, it’s training, it’s for fun. Those are all good and valid defenses!
But they miss something. They damn with faint praise. Because the thing is, when you commit this particular Ultimate Literary Evil you’ve now told a story. And stories are powerful. The fact that it wasn’t in an original world or with original characters doesn’t necessarily make it less powerful to any given reader.
I would never have made this argument a few years ago. A few years ago I hadn’t received messages from people who were deeply touched by something I wrote in fanfic. So what if it’s only two or three or four people, and I used someone else’s world and characters? For those two or three or four people, I wrote something fucking important. You cannot tell me that isn’t a valid use of my time and expect me to feel chastened. I don’t buy it. I won’t feel ashamed. I will laugh when you call something that touches other people ‘literary masturbation.’ Apparently you’re not too up on your sex terminology.
Someone could argue that if I’d managed the same thing with original characters in an original world, it could’ve touched more people. They might be right! On the other hand, it might never have been accepted for publication, or found a market if self published, and more importantly I would never have written it because I didn’t realize I could write. The story wouldn’t have happened. Instead, thanks to fanfic being a thing, it did. And for two or three or four people it mattered. When we talk about defending fanfic, can we occasionally talk about that?
I once had an active serviceman who told me that my FF7 and FF8 fic helped get him through the war. That’ll humble you. People have told me my fanfic helped get them through long nights, through grief, through hard times. It was a solace to people who needed solace. And because it was fanfic, it was easier to reach the people who needed it. They knew those people already. That world was dear to them already. They were being comforted by friends, not strangers.
Stories are like swords. Even if you’ve borrowed the sword, even if you didn’t forge it yourself from ore and fire, it’s still your body and your skill that makes use of it. It can still draw blood, it can strike down things that attack you, it can still defend something you hold dear. Don’t get me wrong, a sword you’ve made yourself is powerful. You know it down to its very molecules, are intimate with its heft and its reach. It is part of your own arm. But that can make you hesitate to use it sometimes, if you’re afraid that swinging it too recklessly will notch the blade. Is it strong enough, you think. Will it stand this? I worked so hard to make it. A blade you snatched up because you needed a weapon in your hand is not prey to such fears. You will use it to beat against your foes until it either saves you or it shatters.
But whether you made that sword yourself or picked it up from someone who fell on the field, the fight you fight with it is always yours.
Literary critics who sneer at fanfic are so infuriatingly shortsighted, because they all totally ignore how their precious literature, as in individual stories that are created, disseminated, and protected as commercial products, are a totally modern industrial capitalist thing and honestly not how humans have ever done it before like a couple centuries ago. Plus like, who benefits most from literature? Same dudes who benefit most from capitalism: the people in power, the people with privilege. There’s a reason literary canon is composed of fucking white straight dudes who write about white straight dudes fucking.
Fanfiction is a modern expression of the oral tradition—for the rest of us, by the rest of us, about the rest of us—and I think that’s fucking wonderful and speaks to a need that absolutely isn’t being met by the publishing industry. The need to come together as a close community, I think, and take the characters of our mythology and tell them getting drunk and married and tricked and left behind and sent to war and comforted and found again and learning the lessons that every generation learns over and over. It’s wonderful. I love it. I’m always going to love it.
Stories are fractal by nature. Even when there’s just one version in print, you have it multiplied by every reader’s experience of it in light of who they are, what they like, what they want. And then many people will put themselves in the place of the protagonist, or another character, and spend a lot of time thinking about what they’d do in that character’s place. Or adjusting happenings so they like the results better.
That’s not fic yet, but it is a story.
But the best stories grow. This can happen in the language of capitalism—a remake of a classic movie, a series of books focusing on what happened afterwards or before—or it can happen in the language of humanity. Children playing with sticks as lightsabers, Jedi Princess Leia saving Alderaan by dueling Vader; a father reading his kids The Hobbit as a bedtime story as an interactive, “what would you like to happen next?” way so that the dwarves win the wargs over with doggie biscuits that they had in their pockets and ride to Erebor on giant wolves, people writing and sharing their ideas for deleted outtake scenes from Star Trek and slow-build fierce and tender romance with startling bursts of hot sex between Hawkeye and Agent Coulson.
A story at its most successful is a fully developed fractal, retold a million times and a million ways, with stories based on stories based on stories. Fanfic of fanfic of fanfic. Stories based on headcanons, stories based on prompts, stories that put the Guardians of the Galaxy in a coffee-shop AU and stories where the Transformers are planet-wandering nomads and stories where characters from one story are placed into a world from another. Stories that could be canon, stories that are the farthest thing from canon, stories that are plausible, stories that would never happen, stories that give depth to a character or explore the consequences of one different plot event or rewrite the whole thing from scratch.
Hearseeno 