Who’s in the driver’s seat?

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The Impala is often a stand-in for Dean’s soul, and I’m not the first person to draw this parallel between the bloody handprint on the car’s window and the scar on Dean’s shoulder.  

I’m also not the first person to comment that every driver in this episode reflects something about Dean.

What I would like to comment on is that each driver reflect on the journey taken by Dean’s soul and who has had the charge of directing its course.

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Here we have young, joy riding Jessie.  The soul is not hers.  But her job is to ferry it to a place where it rests and waits, and she expects to be paid for her efforts.  

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Dean’s soul has not just seen it’s share of reapers, but a monster has been behind the wheel, as well.  Is he a man?  Is he a monster?  When he looks in the mirror, what will he see?

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And here the most poignant of all.  

John Winchester in the driver’s seat, directing any and all choices Dean made.  He did his best, “anyway, for what it was worth.”  But still, his legacy is still played out today.  He “played [his] part” in setting them on the path that takes Sam and Dean to this point.  

Dean, the man that John Winchester made and then sent out into the world. 

What choices will Dean make?  Who will be in the driver’s seat?  Will Sam still be “Sam,” not “Samuel”  and not John’s “son”?  

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We’re all in the car.  I’m sitting in the driver’s seat, Dad’s sitting shotgun.  But there aren’t any shotguns.  There’s no monsters.  There’s no hunting.  There’s none of that.  It’s just… He’s teaching me how to drive.  And, uh, I’m not little like when he actually taught me how to drive. I’m 16, and he’s helping me get my learner’s permit.  Of course, you’re in the backseat, just begging to take a turn.  We pull up to the house, the family house, and I park in the driveway, and he looks over and he says, “Perfect landing, son.”  

The dream isn’t just about having a home and something more, it’s also about the longing for what wasn’t.  It’s about grieving the fantasy of the family that you wish you had had, the one you needed.  The one that let you be in the driver’s seat of your destiny, but was there with you, guiding, mentoring, and giving you praise for a job well done.   It’s about letting it go, and taking a firm grasp of the wheel and setting your own path.

Why? What is Robbie doing here?

Is it just simply a reference to the imprisoned feminine?

Piper in OITNB was imprisoned after she was enticed into crime because of being what she thought her lover wanted her to be. She then felt betrayed by her lover into an unjust imprisonment. The first season was all about her journey questioning who she thought she was, and perhaps concluding she wasn’t quite so innocent as she thought she was.

Or is he bringing Sam and the “imprisoned feminine” into association?

See butterflydm’s meta on the imprisoned feminine

So many themes of being hungry, worn out, and longing for more for Sam in this episode. Of experiencing intimacy, and feeling release and be succored by the encounter. But ultimately he wanted more than his partner wanted to give.

Why are there so many themes of perspective and POV these recent seasons? Why are we being drawn into feeling sympathy for The Darkness?

I keep thinking of Sam’s line about saving all of the people, even the ones who were killing because there was something wrong with them. This episode, too, was about saving the “monsters,” redeeming them and giving them peace.

Sleepsintheimpala points out that the need to break the chains that bind us, both literal and metaphorical, is an important theme this season.

Larinah pointed out that Sam was pictured flirting with yet another blonde woman at a cash register with key chains and poker chips All alluding to chains and keys and taking a gamble.

And so I wonder if we’re headed down a journey of the Winchesters trying to do things the old way. Fight the Big Bad of the season, but, ultimately, they learn to see things from The Darkness’ perspective.

And that the only solution isn’t about overpowering and imprisoning The Darkness, but the key to their problem is to take a risk, and save The Darkness, too.