OFF TOPIC: Ethics czar Walter Shaub on ‘screaming into the void’

Walter Shaub doesn’t have time for fun these days.

The former head of the U.S. Office of Government Ethics under President Obama says he’s too busy trying to save the republic.

“Then I roll up my sleeves and go to work at Citizens for Responsibility and Ethics in Washington, where we’re putting up as strong a fight as we possibly can for this republic and for the ethical principles that were once the hallmark of its operations,” he said.

Shaub, once a little-known government bureaucrat, has risen in prominence since he resigned in protest from the Trump administration last summer.

Shortly before his departure and right after the 2016 election, a series of tweets were sent from the OGE’s official Twitter account, applauding then-President-elect Trump’s supposed decision to sell off his business empire’s assets. But Trump hadn’t decided to take such action.

“.@realDonaldTrump Brilliant! Divestiture is good for you, very good for America!” said one of the ethic office’s tweets.

Shaub, 47, was behind the messages. Now serving as a senior adviser at the watchdog group CREW, he’s also behind a slew of legal actions involving everything from the emoluments clause to spending and travel of government officials.

My hobbies include screaming into the void and banging my head against a table,” Shaub joked yesterday during an interview.

OFF TOPIC: Ethics czar Walter Shaub on ‘screaming into the void’

cupidsbower:

dimetrodone:

I want to go back 25 years in the past and show people this headline and convince people the future went full soft scifi/fantasy

I’ve been hearing about this for a while, so decided to take a look. It’s probably a bit more complex than this. Have a link:

The Last Jedi Russian troll study shows we still don’t know how to interpret speech online

by Bijan Stephen and Adi Robertson

But there’s a deeper problem with saying political operatives weaponized The Last Jedi
— a framing that Bay’s paper and most reports on it have accepted. At a
time when pop culture is incredibly intertwined with politics, it
suggests that talking about politics in pop culture is
artificial and manipulative. And the paper’s most interesting
implication may not be that there was a strategic attempt to politicize
the Last Jedi debate, but that the internet makes it incredibly
hard to gauge how deep political divisions run — because anybody on
Twitter can sound important, even when they’re not.

[
]

The paper doesn’t indicate an explicitly coordinated campaign to create
an artificial political dispute. It suggests that a lot of real,
individual humans decided to express genuinely held political views
about a movie that they didn’t care much about. But the structure of the
study also establishes these two categories as part of a single
phenomenon of “deliberate, organized political influence measures,” or
as the paper title puts it, “social media manipulation.” That’s a much
more sweeping suggestion.

And here’s the abstract from the actual study,
Weaponizing the haters: The Last Jedi and the strategic politicization of pop culture through social media manipulation

by
Morten Bay:

Political discourse on social media is seen by many as polarized,
vitriolic and permeated by falsehoods and misinformation. Political
operators have exploited all of these aspects of the discourse for
strategic purposes, most famously during the Russian social media
influence campaign during the 2016 Presidential election in the United
States and current, similar efforts targeting the U.S. elections in 2018
and 2020. The results of the social media study presented in this paper
presents evidence that political influence through manipulation of
social media discussions is no longer exclusive to political debate but
can now also be found in pop culture. Specifically, this study examines a
collection of tweets relating to a much-publicized fan dispute over the
Star Wars franchise film Episode VIII: The Last Jedi. The study finds
evidence of deliberate, organized political influence measures disguised
as fan arguments. The likely objective of these measures is increasing
media coverage of the fandom conflict, thereby adding to and further
propagating a narrative of widespread discord and dysfunction in
American society. Persuading voters of this narrative remains a
strategic goal for the U.S. alt-right movement, as well as the Russian
Federation. The results of the study show that among those who address
The Last Jedi director Rian Johnson directly on Twitter to express their
dissatisfaction, more than half are bots, trolls/sock puppets or
political activists using the debate to propagate political messages
supporting extreme right-wing causes and the discrimination of gender,
race or sexuality. A number of these users appear to be Russian trolls.
The paper concludes that while it is only a minority of Twitter accounts
that tweet negatively about The Last Jedi, organized attempts at
politicizing the pop culture discourse on social media for strategic
purposes are significant enough that users should be made aware of these
measures, so they can act accordingly.

So, it looks to me like a lot of the noise about The Last Jedi was created by bad actors, but that their motivations were probably varied, and some/most of it probably wasn’t coordinated, but was more in the nature of opportunistic dogpiling. The data is open to interpretation.

rahirah:

kyliafanfiction:

On today’s episode of “Kylia has good bad ideas”: a parody of the Gaston song centered around the line “Noooooooooo ooooone broods like Angel”

No one broods like Angel
Has big moods like Angel
No one’s soul’s as incredibly good as Angel’s
For there’s no vamp in town half as guilty
As you see he’s got manpain to spare
He won’t eat – not ice cream nor gefilte
And every last shirt he owns? Made out of hair!