dragonageconfessions:

intheshadowofsignificance:

wizqevelynart:

This post was going around earlier – according to @intheshadowofsignificance (whom I trust) these links are viruses and the whole thing may be a hoax.

Be safe, y’all!

If anyone’s antivirus has “website security” you can also google their database and type the url.

For example, Norton has a huge database of websites complete with user reviews and analysis specifically for safety. There are other sites out there as well but I can’t vouch for their legitimacy.

Anyway, they’ll tell you every single website on this list is suspicious, as well as try to reveal discrepancies in the listed location.

Several claim to be located in the U.S but are hidden / unable to be verified. One is actually proven to be located in the Netherlands (I believe that one is talkfictions but it’s been a bit since I looked into this) 

OP’s heart was in the right place but please, P l e a s e don’t click the links!

I want to follow up with what we posted earlier.  Please be safe.  

A google search of “all fanfiction.net stories have been stolen malware” found multiple instances of people identifying malware warnings from their protection software when clicking on these links.

That last gif just really hit me this time around.  She knows intimately what it means to have to sacrifice large parts of herself, her bodily integrity and bits and pieces of her soul, for the crumbs of sense of belonging to a “family.”  So, yeah, no wonder she knows that she can’t be around monsters in any capacity. She’s far too well trained in the Stockholm dynamics and it must trigger dark dark places in her.

littlehollyleaf:

mooseleys:

fyi yes this does exist

okay look

I just can’t get this out of my brain so I’m gonna attach it to this post for all to be plagued by –

IS THIS a reference to CASIFER?

‘weasel’ can refer to “a deceitful or treacherous person” (ie. Lucifer) OR “achieving something by use of cunning or deceit” (eg. to weasel your way into someone’s affections ie. what Casifer is attempting to do with Dean)

the weasel is RIDING the woodpecker (ie. like Luci is ‘riding’ Cas right now by taking control of his vessel), but also, according to the linked article, ATTACKING the woodpecker as opposed to working with it (ie. like Luci and Cas are, in fact, antagonistic towards each other, even though they similarly might appear to have teamed up) 

(’woodpecker’ is probably slang for being into cock somehow as well so could relate to Cas because of that, heh – JK! …or am I?)

so, yeah… y/n?

if it IS referencing Casifer somehow, this might bode well, since this was the outcome of the weasel’s attack –

…the weasel was attacking the bird. Fortunately, the bird escaped.   

Interesting!

lookatthesefreakinghipsters:

Despite the fact that I will never stop celebrating and loving the fact that Peggy Carter was a Bletchley Park code-breaker, I still want to talk about the way they juxtaposed Agnes/Whitney and Peggy’s lives and what an uncomfortable, but necessary message it gave.

As I’ve noted before, Bletchley Park’s female recruits were pulled from “old girls networks” from colleges that women attended.  Female undergraduate students, pulled out of their studies for the good of the war effort, into secret code-breaking work.  Though there were many other people who were recruited in irregular ways into Bletchley Park, the probability is that Peggy was a student who a recruiter heard about from another student (or professor, or family friend even).  Peggy’s way into Bletchley, and from there, into the SOE was greased by knowing the right people.  By going to the right schools.  By being from the right family.  By having the right brother.

Because make no mistake, a woman going to university in that time period, to Newnham or Girton Colleges, was a privilege.  And it’s a privilege that Peggy has because her family is well-off and likely well-connected and because Peggy is intelligent and ambitious.  That it was a privilege denied to most other women is made clear and explicit by Agnes being denied the same opportunity, despite her incredible brilliance, because she is a woman.

Peggy gets to go to college and become a code-breaker and then a spy because she had the opportunity to do so.  Agnes, living in poverty, has no such chance, though she “defies categorization.”

It’s an uncomfortable message, to be sure.  It reminds us that successful women, women who defy the constructed limitations placed upon them by patriarchy are usually the ones who can get away with “gender inappropriate” behaviour.  Peggy could play at being a knight and rescuing the princess and get only a mild (and mostly amused) rebuke.  Agnes gets told she should smile to please her “Uncle” Bill and when she doesn’t confirm to their gendered expectations of behaviour, gets sneered at and called “weird.”  While Peggy gets to go to college, Agnes is rejected.  While Peggy can learn to break codes and join the SOE, Agnes has to smile to please men to get ahead in life.  While Peggy can choose to reject marriage to live the life she is better suited for, Agnes cannot.  

Peggy’s break up with Fred is framed as her rejecting a typical, if ill-suited for her, life for a woman of her time period.  Peggy goes on and becomes a legend in the intelligence field.  She breaks down barriers and knocks through obstacles because she is amazing at her job, hard-working and smart, but also because she had the right encouragement and the right opportunities at the right times.

Agnes doesn’t.  Agnes/Whitney is an uncomfortable reminder that having talent and intelligence isn’t enough for many poor women.  According to this Atlantic article, Wealthy Women Can Afford to Reject Marriage, but Poor Women Can’t, even now, poorer women don’t really have the same choices as wealthy women, who can afford to reject societal expectations.

For a poor woman, deciding whether to get married or not will be a big part of shaping her economic future. For a wealthier woman, deciding whether to get married is a choice about independence, lifestyle, and, at times, “fighting the patriarchy.” There’s a cognitive dissonance in Ehrenreich’s straight-up dismissal of the economic benefits of marriage, because the statistics tell an awkward truth: Financially, married women tend to fare much better than unmarried women.

And in Whitney’s case, it works.  Presumably, it is her marriage to Calvin Chadwick that finally gives her the opportunity to do the work she’s always wanted to.  She finally gets to be a scientist and the work she does is what puts Isodyne on the map.  But it works because Whitney becomes a movie star, trading on her good looks, like her mother told her to and smiling when men ask her to.  She finally gets her break, but only by playing patriarchy’s game.  

That’s why her final moment in 2×04 is so fascinating.  She reveals a cracked and damaged visage, the power underneath oozing out.  No longer does she have to conform to other people’s expectations, she has the power of Zero Matter coursing under her skin.  It’s destroying her looks, but she doesn’t need them for power anymore.  She has what she always had, her intelligence, and now, she has the power of Zero Matter as well.  She will never need to smile when a man asks her again.