Hamilton  songs explained by my friend

Alexander Hamilton: “did they just rhyme father with father and farther?”

Aaron Burr, Sir: “this antisocial man is so done with this overeager puppy and this random ass boyband”

My Shot: the overeager puppy joins the boyband. somehow becomes the front man of the band. they gain lots of fans.

The Story of Tonight: The boyband covers a song from les mis???

The Schuyler Sisters: WHERES YOUR GOD NOW @ boyband.

Farmer Refuted: boyband has a hater. Front man puppy roasts hater before he can he even start to talk.

You’ll be back: to be sung draped over a piano with with champagne fake crying into a handkerchief

Right Hand Man: “there’s a moment you know… you’re fucked. aND THATS RN PEOPLE I SWEAR TO GOD.

A Winters Ball: “20 year old males who drink are gross and do gross 20 year old drunk male things”

Helpless: “this could be the start of something new it feels so right being here with you”

Satisfied: “I’ve done fucked up”

The Story of Tonight reprise: the boyband gets drunk and harass the antisocial man (again)

wait for it: the song that could get away with going on the radio

Stay Alive: tfw ur dad doesn’t trust you to lead an army #relatable

Ten Duel Commandments: “Revolutionary men have fragile pride and I don’t know why they were trusted with guns”

Meet Me Inside: “the puppy gets fired because he got mad that his father figure acknowledges the fact that he’s a father figure”

That Would Be Enough: “you’re not even a father figure you’re a legit father”

Guns and Ships: “surprise bitch, tis I le baguette here to win the war”

history has it’s eyes on you: I fucked up once. and now it’s your turn to.

Yorktown (the world turned upside down): surprise BITch (part 2) herCULES MULLIGAN-

What comes next?: I’m petty as shit.

Dear Theodosia: “Burr imma let you finish but, loOk AT MY SON

Non-Stop: the puppy and boyband have been separated since the war so the puppy decides to go into law then government

What’d I miss: the war??? wtf???

Cabinet Battle #1: “I know more than you” -Ron Swanson

Take A Break: use your fucking commas and don’t use child actors to play your children

Say No to This: … you are singing the word “no” you should be able to say it

The Room Where it Happens: the banjo turn up of the century

Schuyler Defeated: antisocial man and the puppy have a falling out

Cabinet Battle #2: (sips tea) (slowly puts it down and turns)….. you must be out of yoUR GODDAMN MIND IF YOU THINK-

Washington on your side: I am ready to throw punches

One Last Time: I’m tired… I think I’m gonna go home now.

I Know Him: The John Adams Roast begins

The Adams Administration: The Roast continues

We Know: well fuck,we actually didn’t know

Hurricane: I will roast myself and save everyone else the trouble of doing it.

The Reynolds Pamphlet: “YOU MUsT BE OUT OF YOUR GOD DAMN MIND” -Angelica, and literally the whole cast

Burn: I have no words, only tears.

Blow us all away: you thought it would be okay… you were wrong.

Stay Alive (reprise): tears intensify

It’s Quiet Uptown: full fledged sobbing 2 minutes into the song

The Election of 1800: ham and jefferson roast burr to the point of no return

Your Obedient Servant: the slightly bitchy passive aggressive anthem

Best Of Wives, Best of Women: a single tear because we all know what’s gonna happen next

The World Was Wide Enough: “most disputes die and no one shoots” is the biggest goddamn lie in the show

Who Lives Who Dies Who Tells Your Story: hello death I welcome thee.

wingstocarryon:

ameliacareful:

They’re obviously an evil organization but the British MoL does do a very nice hair cut whilst torturing.

They’re great with both the blow torch and the blow dryer.

Well, maybe it was an accident.  You know, got a little too close with the blow torch and singed off a layer or two of hair on the left side.  Being as uptight about the rules of the universe as the Brit MOL are, maybe the asymmetry threw off their concentration and they just had to, you know, switch hands and burn off the left side too, even things up a bit before they could proceed with the torturing.  

REBLOG IF YOU WERE BORN BEFORE 1991.

obsessionisaperfume:

lisafer:

determamfidd:

gimleafanatic:

scarletjedi:

darthstitch:

mercurialkitty:

roane72:

jacquez45:

aenariasbookshelf:

mcgregorswench:

glynnisi:

pink-siamese:

LOL WAAAAAAAY BEFORE 1991

I GOT MARRIED IN 1991.

I had just graduated from college.

Look, I came into this world the same year y’all were introduced to Darth Vader, okay? (DARTH VADER, THE ACTUAL SITH LORD, NOT HIS CUTE VERSION KK?)

I’m as old as Labyrinth 🙂

I’m as old as Star Trek: TOS season 3.  Choke on it, kiddies!

These came out the same year as me:

I’ve got four years on ya, @determamfidd:

SPUTNIK.

I am one day older than the Voting Rights Acts.

Though I think I may have aged a little better given recents events.  

justanotheridijiton:

One of the original founders of Hogwarts “over a thousand years ago.” Salazar Slytherin believed that only pure-blood witches and wizards should be allowed to attend Hogwarts. He got into an argument with Godric Gryffindor about this and eventually left the school. There was a legend that Slytherin built a secret chamber somewhere in Hogwarts that only his true heir would be able to open. This chamber, called the Chamber of Secrets, contained a monster that would finish his “noble purpose” of killing all the Muggle-born students at Hogwarts (Pm). According to legend, Slytherin reconciled with the other Founders later in life and came back to Hogwarts castle to die (JKR-W3). (The Harry Potter Lexicon)

babeimgonnaleaveu:

“After reading the script, Gene Wilder said he would make the film under one condition: that he would be allowed to somersault in the scene when he first meets the children. When asked why, Gene Wilder replied that having Willy Wonka start out limping and end up somersaulting would set the tone for that character. He wanted to portray him as someone whose actions were completely unpredictable. His request to somersault was granted.” 

Willy Wonka & the Chocolate Factory (1971) dir. Mel Stuart